By TAHLIB
When Lawrence Parker's "Intolerance" about Park51 (aka the 9-11 Mosque) first appeared in the September issue of The New Yorker the nation was hotly embroiled in the debate including whether or not a southern preacher would burn a copy of the Quran.
When a dozen cartoons satirizing the Prophet Mohammed appeared in the conservative Danish daily Jyllands-Posten, in September, 2005, there was only a muted outcry from the small Danish Muslim community, and little reaction in the rest of the Muslim world. Six months later, however, riots broke out and Danish embassies were burned; more than a hundred people died. Assassination threats were made, and continue to this day.
Last year, when plans were announced for Cordoba House, an Islamic community center to be built two blocks north of Ground Zero, few opposed them. The project was designed to promote moderate Islam and provide a bridge to other faiths. Imam Feisal Abdul Rauf, the Sufi cleric leading the effort, told the Times, in December, "We want to push back against the extremists." In August, the Landmarks Preservation Commission granted Park51, as the center is now known, unanimous approval. A month later, it is the focus of a bitter quarrel about the place of Islam in our society.
The lessons of the Danish cartoon controversy serve as an ominous template for the current debate. One reason for the initial lack of reaction to the cartoons was that they were, essentially, innocuous. There is a prohibition on depictions of the Prophet in Islam, but that taboo has ebbed and flowed over time, and only two of the twelve published cartoons could really be construed as offensive in themselves: one portrayed the Prophet as a barbarian with a drawn sword, which played into a racial stereotype; the other showed him wearing a turban in the shape of a bomb. Newspapers in several Muslim countries published the cartoons to demonstrate that they were tasteless, rather than vicious. The cartoons, in other words, did not cause the trouble. (Read more)Where do you stand?
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